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  <title>FDA Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/2451/75629" />
  <subtitle />
  <id>http://hdl.handle.net/2451/75629</id>
  <updated>2026-07-05T13:34:33Z</updated>
  <dc:date>2026-07-05T13:34:33Z</dc:date>
  <entry>
    <title>Vivir Bien: Tracing the Ethos of Plural Progress in Bolivia</title>
    <link rel="alternate" href="http://hdl.handle.net/2451/75750" />
    <author>
      <name>Klein, Kirra</name>
    </author>
    <id>http://hdl.handle.net/2451/75750</id>
    <updated>2026-06-26T22:13:36Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Vivir Bien: Tracing the Ethos of Plural Progress in Bolivia
Authors: Klein, Kirra
Abstract: In thirteen years, Bolivia went from the poorest country in South America to providing a model for inclusive sustainable development and post-colonial nation-building. Today, the world is suffering increasing political polarity, climate change, and an enduring global socioeconomic divide, stemming from imperialism. I looked to Bolivia to find an alternate mode of development that challenged the anthropocentric approach to power and took a non-prescriptive, cooperative approach to building a path forward. I explored three revolutions, examining their motivating ideologies and their relative successes. I studied primary historical and philosophical texts, and I undertook fieldwork in Bolivia, conducting surveys and interviews with individuals across identities and ideologies. The Andean collectivist tradition guided Bolivia through three iterative revolutions. For each, it cultivated a shared (1) motivation for rebellion, (2) rhetoric, (3) body of cultural commonality, and (4) notion of effective development. The most successful of these revolutions was the 2000-2005 political movement which combined Andean collectivism with the country's national popular tradition. The post-revolutionary government found success in extending the Andean ethos, developing a sustainable national project by unifying diverse peoples on a common path: an incremental, adaptive, and collaborative revolution guided by vivir bien.</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Urban Renewal through Social Capital Building: The “New” Urban Renewal Strategy?</title>
    <link rel="alternate" href="http://hdl.handle.net/2451/75752" />
    <author>
      <name>Lyons, Lucy</name>
    </author>
    <id>http://hdl.handle.net/2451/75752</id>
    <updated>2026-06-26T22:13:04Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Urban Renewal through Social Capital Building: The “New” Urban Renewal Strategy?
Authors: Lyons, Lucy
Abstract: Many neoliberal urban planners claim that spurring gentrification in a city is the only way to enact urban renewal. This is problematic, however, because gentrification poses an active threat to democracy in cities. This paper investigates the possibility of renewing cities in an alternative, less damaging way: through building social capital. It uses two examples from Berlin, Germany, of interventions that have spurred social capital—and, in turn, revived urban neighborhoods—to reveal realistic models for opposing state-sanctioned neoliberal gentrification. The concluding argument is that there are other, more democratic ways to make our cities better places, which urban planners must investigate with urgency.</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>From Huang to Huynh and Back Again: Traversing the Hyphen Between Chinese-Vietnamese Identity</title>
    <link rel="alternate" href="http://hdl.handle.net/2451/75753" />
    <author>
      <name>Mac, Lani</name>
    </author>
    <id>http://hdl.handle.net/2451/75753</id>
    <updated>2026-06-26T22:05:01Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: From Huang to Huynh and Back Again: Traversing the Hyphen Between Chinese-Vietnamese Identity
Authors: Mac, Lani
Abstract: Among the 1.6 million individuals who left Vietnam in the Indochina Refugee Crisis, hoa people, ethnic Chinese living in Vietnam, were resettled throughout North America, Western Europe, and Australia. Arriving in these new locations, the ethnic Chinese developed “twice-migration backgrounds.” Focusing on either the Vietnamese diaspora or Chinese migration, the present literature does not adequately address the hybridity of Chinese-Vietnamese identity. Exercising an interdisciplinary approach, I combine narrative with theoretical discourse and draw from my family’s migration story, existing research on ethnic identity among Chinese-Vietnamese in southern California, and literature on Chinese in present-day Vietnam. By framing identity as a continuous practice that is carried out in contexts of language, political history, and social environment, I address how first- and second-generation ChineseVietnamese Americans experience ethnic identity and suggest an expanded understanding of Chinese-Vietnamese identity that is fluid rather than static.</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Excavating the Photo-Archive: Exploring Memory and Healing through the Creation of Radical Archives</title>
    <link rel="alternate" href="http://hdl.handle.net/2451/75748" />
    <author>
      <name>Cornell, Clancey</name>
    </author>
    <id>http://hdl.handle.net/2451/75748</id>
    <updated>2026-06-26T20:47:33Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Excavating the Photo-Archive: Exploring Memory and Healing through the Creation of Radical Archives
Authors: Cornell, Clancey
Abstract: This project considers the use of photographic archives in works of two contemporary artists, Diego Cirulli and Ayana V. Jackson, because their work results in the production of radical archives. Radical archives depart from traditional archives in curatorial intention, form, and function to reveal narratives previously unexplored. Through the analysis of the archival artwork of an Argentine artist and a North American artist, this project explores the radical archive as a mechanism of repurposing knowledge and memory transmission in two specific regions that bear unique histories of oppression. These artists provide alternative methods of knowledge production to traditional archives. Archival art is best understood by analyzing its construction, performative aspects, and engagement with public feelings. The production of radical archives through archival art has therapeutic effects that enable healing processes in response to histories of trauma and misrepresentation not only for the individual artist but for the community. This work is a contribution to the developing study of radical archives in terms of memory and historical representation.</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
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