FDA Collection: http://hdl.handle.net/2451/54097 2026-04-15T04:12:55Z Played by Gertrude Bullman, the heroine of henry Lynn's Di Yugnt fun Rusland (U.S.A., 1934) is a lively Komsomolka whose affection for her old-fashioned father Wolf Goldfaden) cannot dampen her enthusiasm for the new Soviet regime. http://hdl.handle.net/2451/58631 Title: Played by Gertrude Bullman, the heroine of henry Lynn's Di Yugnt fun Rusland (U.S.A., 1934) is a lively Komsomolka whose affection for her old-fashioned father Wolf Goldfaden) cannot dampen her enthusiasm for the new Soviet regime. "Shall it be Palestine, Argentina, Canada...or Birobidzhan?": the Eternal Wanderer (m.B. Samuylow, left) exhorts his son (Jacob Ben-Ami) to continue the pilgrimage in der Vanderer Yid. http://hdl.handle.net/2451/58633 Title: "Shall it be Palestine, Argentina, Canada...or Birobidzhan?": the Eternal Wanderer (m.B. Samuylow, left) exhorts his son (Jacob Ben-Ami) to continue the pilgrimage in der Vanderer Yid. Opening title for Oy di Shviger!, the 1934 faryidisht version of the 1927 silent The Lunatic. The "all-star cast" is not further identified, and except for Ludwig Satz, no credits aregiven for the original film. http://hdl.handle.net/2451/58630 Title: Opening title for Oy di Shviger!, the 1934 faryidisht version of the 1927 silent The Lunatic. The "all-star cast" is not further identified, and except for Ludwig Satz, no credits aregiven for the original film. German-Jewish painter Arthur Levi (Jacob Ben-Ami) holds a portrait of his Aryan fiancee as his valet (screenwriter Jacob Mestel) awaits his decision. Der Vanderer Yid (U.S.A., 1933) was not only the lone Yiddish movie to depict the situation of Jews in Nazi Germany, it was also the first American feature film to do so. http://hdl.handle.net/2451/58632 Title: German-Jewish painter Arthur Levi (Jacob Ben-Ami) holds a portrait of his Aryan fiancee as his valet (screenwriter Jacob Mestel) awaits his decision. Der Vanderer Yid (U.S.A., 1933) was not only the lone Yiddish movie to depict the situation of Jews in Nazi Germany, it was also the first American feature film to do so.