<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel rdf:about="http://hdl.handle.net/2451/75068">
    <title>FDA Collection:</title>
    <link>http://hdl.handle.net/2451/75068</link>
    <description />
    <items>
      <rdf:Seq>
        <rdf:li rdf:resource="http://hdl.handle.net/2451/75348" />
        <rdf:li rdf:resource="http://hdl.handle.net/2451/75347" />
        <rdf:li rdf:resource="http://hdl.handle.net/2451/75346" />
        <rdf:li rdf:resource="http://hdl.handle.net/2451/75240" />
      </rdf:Seq>
    </items>
    <dc:date>2026-04-11T04:44:37Z</dc:date>
  </channel>
  <item rdf:about="http://hdl.handle.net/2451/75348">
    <title>Theatre for Young Audiences Podcast Recording</title>
    <link>http://hdl.handle.net/2451/75348</link>
    <description>Title: Theatre for Young Audiences Podcast Recording
Authors: Demas, Edie; Brewster, Paul; Webb, Tim; Gaines, Andrew
Abstract: At both Oily Cart and Trusty Sidekick Theater (TSTC), Tim Webb and Paul Brewster, respectively, work with artistic ensembles committed to challenging accepted definitions of theater, audience and the intrinsic value of that relationship. Dedicated to work that is multi-sensory, multi-disciplinary, often immersive or site specific and always innovative, both companies continue to challenge assumptions of what’s possible. Greatly influenced by Oily Cart’s work for young people with profound and multiple learning disabilities, Trusty Sidekick, via a commission from Lincoln Center Education (LCE), participated in a series of masterclass devising workshops with Tim. As a result of LCE’s ground-breaking commission, TSTC created Up and Away, an original work for audiences on the autism spectrum, which premiered at Lincoln Center in the Fall of 2015. This podcast, moderated by Edie Demas, will explore the companies’ aesthetics, creative process and focus on their audience relationships. The discussion was hosted by Andrew Gaines.</description>
    <dc:date>2016-04-24T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/2451/75347">
    <title>Arts-Based Research Podcast Recording</title>
    <link>http://hdl.handle.net/2451/75347</link>
    <description>Title: Arts-Based Research Podcast Recording
Authors: Salvatore, Joe; Sajnani, Nisha; Sallis, Richard; Demas, Edie; Gaines, Andrew
Abstract: Professors Nisha Sajnani, Richard Sallis, and Joe Salvatore speak about opportunities and challenges in arts based research. During this conversation, they focus on the role of aesthetics and knowledge translation in embodied, improvisational, and performance research. The discussion is facilitated by Edie Demas and hosted by Andrew Gaines.</description>
    <dc:date>2016-04-23T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/2451/75346">
    <title>Mentoring Podcast Recording</title>
    <link>http://hdl.handle.net/2451/75346</link>
    <description>Title: Mentoring Podcast Recording
Authors: Saxton, Juliana; Miller, Carole; Prendergast, Monica; Demas, Edie; Gaines, Andrew
Abstract: Effective mentoring can be the foundation of a student’s or new faculty member’s successful transition into a disciplinary field and the positive development of their academic career. Our experiences as mentors and as recipients of mentorship have shaped our respective paths in ways that both mirror the mentoring we have received as well as shift the act of mentoring into new possibilities. The discussion is facilitated by Edie Demas and hosted by Andrew Gaines.</description>
    <dc:date>2016-04-22T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/2451/75240">
    <title>Mapping the field of young playwrights programs in the United States</title>
    <link>http://hdl.handle.net/2451/75240</link>
    <description>Title: Mapping the field of young playwrights programs in the United States
Authors: DeVivo, Jim
Abstract: The production of plays written by young people has been in practice at theatre companies and arts organizations in the United States for nearly forty years. However, while young playwrights programs have emerged across much of the country in the past decade, the field has not been adequately addressed in the literature. This paper addresses the scope and variety of young playwrights programming and compares the praxis of organizations engaged in the work.</description>
    <dc:date>2016-11-01T00:00:00Z</dc:date>
  </item>
</rdf:RDF>

