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dc.contributor.authorLeja, Michael-
dc.date.accessioned2011-02-24T14:57:53Z-
dc.date.available2011-02-24T14:57:53Z-
dc.date.issued2011-02-24T14:57:53Z-
dc.identifier.urihttp://hdl.handle.net/2451/29911-
dc.descriptionConference paper presented March 25-26, 2011.en
dc.description.abstractIn personal scrapbooks from the middle of the 19th century, prints clipped from magazines and newspapers come to replace traditional drawings and autographic images. This development documents the rising mass production and circulation of pictures. Scrapbooks spanning a transitional period preceding the rise of carte-de-visite albums may provide an archive charting the permeation of daily life by mass-produced images.en
dc.description.sponsorshipConference supported by the Samuel H. Kress Foundation, the NYU Humanities Initiative, the IFA Visual Resources Collections, and Princeton University, Department of Art and Archaeology, Visual Resources Collection.en
dc.language.isoen_USen
dc.rightsCopyright Michael Leja, 2011.en
dc.subjectscrapbooksen
dc.subjectphoto archivesen
dc.subjectcarte-de-visiteen
dc.subjectphotography-
dc.titleScrapbooks as Archivesen
dc.typeDocumenten
Appears in Collections:Photo Archives and the Photographic Memory of Art History, part III

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