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dc.contributor.authorDapena, Gerard
dc.date.accessioned2021-07-02T15:21:01Z-
dc.date.available2021-07-02T15:21:01Z-
dc.date.issued2001
dc.identifier.citationGerard Dapena, "Tropical Excess: Carribean Art & The Baroque," Calabash: a Journal of Caribbean Arts and Letters 1, no. 2 (Spring-Summer 2001), https://doi.org/10.33682/prfg-ds0ren
dc.identifier.issn1531-6661
dc.identifier.urihttp://hdl.handle.net/2451/62341-
dc.descriptionSection: Nonfictionen
dc.description.abstractGerard Daperña’s essay consideres the centrality of the baroque in Caribbean art, particularly Cuban art criticism examining the work of Cuban writers Alejo Carpentier, José Lezama Lima, and Cervero Sarguy.en
dc.language.isoenen
dc.publisherNew York University. Graduate Program in Spanish & Portuguese Languages & Literaturesen
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dc.subjectNonfictionen
dc.titleTropical Excess: Carribean Art & The Baroqueen
dc.typeArticleen
dc.identifier.DOIhttps://doi.org/10.33682/prfg-ds0r
prism.issueIdentifier2en
prism.publicationNameCalabash: a Journal of Caribbean Arts and Lettersen
prism.volume1en
Appears in Collections:Volume 1, Number 2

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