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dc.contributor.authorOverton, David-
dc.date.accessioned2025-04-30T17:19:50Z-
dc.date.available2025-04-30T17:19:50Z-
dc.date.issued2024-06-
dc.identifier.issn1552-5236-
dc.identifier.urihttp://hdl.handle.net/2451/75117-
dc.description.abstractThis is a self-study of the philosophy and processes that comprised the foundation of our theatre company focusing on the inaugural summer theatre intensive program, “Classic Kids.” Approaching this account as an Artist/Scholar, this study includes a chronological account of the articulation of a mission statement, workplace values, and questions for inquiry. Further, this documentation then describes selected practices and outcomes that demonstrate the heuristic and phenomenological interchanges that occur during and as a result of these exercises. This self-study further seeks to focus on the transferrable skills developed in performance study to self-actualization in everyday life.en
dc.language.isoenen
dc.publisherNew York Universityen
dc.relation.ispartofseriesVolume 11 Issue 1;-
dc.rightsArtsPraxis is published by the NYU Steinhardt Program in Educational Theatre; author(s) retain copyright of the work though they have given irrevocable right to reproduce, transmit, distribute, make available through an archive, sell, and otherwise use the Accepted Contribution as it is published in the Journal.en
dc.subjectyouth theatreen
dc.subjectShakespeareen
dc.subjectclassicsen
dc.subjectEuropean theatreen
dc.subjectBritish theatreen
dc.subjectdrama in educationen
dc.titlePedagogy, Practice, and Performance: A Practical and Phenomenological Approach with Long Island Classics Stage Company’s Classic Kidsen
dc.typeArticleen
dc.identifier.DOIhttps://doi.org/10.33682/ptk4-bdpt-
Appears in Collections:ArtsPraxis Volume 11, Issue 1

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