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dc.contributor.authorCole, Penelope-
dc.date.accessioned2025-09-02T20:50:04Z-
dc.date.available2025-09-02T20:50:04Z-
dc.date.issued2019-03-
dc.identifier.citationCole, P. (2019). Energize, resist, re-purpose: An American theatre responds. ArtsPraxis, 5 (2), 50-62.en
dc.identifier.issn1552-5236-
dc.identifier.urihttp://hdl.handle.net/2451/75316-
dc.description.abstractCurious Theatre Company, based in Denver, Colorado, is currently celebrating their 20th anniversary. As stated on their website “The mission of Curious Theatre Company is to engage the community in important contemporary issues through provocative modern theatre.” Chip Walton, founder and artistic director, stated in a recent interview that their mission, in light of the current political situation in the U.S., remains unchanged but has been turned on its head; instead of aspiring to be a professional theatre company that produces socially aware plays, they now identify as a social justice organization that uses theatre as a platform. Several organizational changes have occurred as a result of this spin on their mission including a restructuring of talk backs after performances, a re-evaluation of the process of both season selection and the commissioning of plays, to seeking ways to be flexible producers able to respond quickly to the rapidly changing political landscape. In this article I will unpack the impact of the election of 2016 and the politics of the current administration on the ways in which Curious Theatre Company is defining itself, engaging audiences, choosing programming, and changing production practices.en
dc.language.isoenen
dc.rightsArtsPraxis is published by the NYU Steinhardt Program in Educational Theatre; author(s) retain copyright of the work though they have given irrevocable right to reproduce, transmit, distribute, make available through an archive, sell, and otherwise use the Accepted Contribution as it is published in the Journal.en
dc.subjecttheatre and social justiceen
dc.titleEnergize, Resist, Re-Purpose: An American Theatre Respondsen
dc.typeArticleen
Appears in Collections:ArtsPraxis Volume 5, Issue 2

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