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dc.contributor.authorKunitomo, Mariko-
dc.date.accessioned2026-06-02T20:47:40Z-
dc.date.available2026-06-02T20:47:40Z-
dc.date.issued2021-
dc.identifier.issn2691-9729-
dc.identifier.urihttp://hdl.handle.net/2451/75744-
dc.description.abstractThis article identifies the role art music plays in orchestra projects that deal with social conflicts of youth populations. I argue that art music serves well in this context because it is a universal language that allows for an alternative method of communication and expression between the young musicians themselves and with others. I apply metaphysical explanations, studies from cognitive neuroscience, and philosophy of language in three specific youth orchestra contexts: the Retiro Youth Orchestra, El Sistema, and the West-Eastern Divan Orchestra. These different lenses help uncover why and how art music positively impacts the development, both socially and personally, of young musicians in a healthier or alternative manner.-
dc.publisherNYU Global Liberal Studies-
dc.rightsThe author(s) hold the copyright in the manuscript and have the right to grant a license to publish their work. They retain all rights to the work and grant NYU, on behalf of The Interdependent, a nonexclusive, royalty free, irrevocable license to publish the manuscript in both print and digital form.-
dc.subjectRetiro Youth Orchestra, El Sistema, West-Eastern Divan Orchestra, art music, universal language, Arthur Schopenhauer, semantic range, neurocognitive approach, N 400 Study, P600 Study-
dc.titleArt Music as Universal Language: Youth Orchestras' Reactions to Social Conflict-
dc.typearticle-
dc.identifier.DOIhttps://doi.org/10.33682/vaee-xnr0-
Appears in Collections:The Interdependent, Volume 2 Fall 2021

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