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dc.contributor.authorWolfgang, Courtnie N.
dc.contributor.authorRhoades, Mindi
dc.contributor.authorCosier, Kimberly
dc.contributor.authorSanders III, James H.
dc.date.accessioned2026-08-14T14:58:10Z-
dc.date.available2026-08-14T14:58:10Z-
dc.date.issued2023-07-18
dc.identifier.issn1553-541X
dc.identifier.urihttp://hdl.handle.net/2451/76031-
dc.description.abstractIn this excerpt from a chapter originally published in McNeil et al (2017), five queer art educators interrogate the intersections of religion, education, the arts, and LGBTQ identities through an annual performance session called "Big Gay Church" (BGC).
dc.publisherNew York University
dc.rightsWritten submissions to VUE are licensed under a Creative Commons Attribution 4.0 International License. Permission for use should be obtained from the authors who hold the copyright. Student artwork is not under an open license unless otherwise specified and remains the copyright of the creator.
dc.titleTake a(nother) Left at the Valley of the Shadow of Death: Revisiting the Queer Crossroads of Art, Religion, and Education of Big Gay Church
dc.typeArticle
dc.identifier.DOIhttps://doi.org/10.35240/vue.67
Appears in Collections:VUE, Volume 51, Issue 2

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