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dc.contributor.authorDavies, Clare Phyllis-
dc.descriptionConference paper presented March 25-26, 2011.en
dc.description.abstractThis paper explores the ambiguous function of state-controlled public photojournalistic archives in Egypt just prior to the popular uprisings that began on January 25, 2011. In this context, the archive persisted as an uneasy site of memory under the auspices of a thirty-year regime that insisted on its own ahistoricity, instead deploying images of historic events and personages towards self-mythologizing ends. My research focused originally on the development of early photojournalism in conjunction with the emergence of anti-colonial and nationalist struggle in Egypt, and photojournalism's role in producing and disseminating images of the nation prior to 1952. Despite limiting the scope of this research to photographs already approved by censors for public consumption through publication, gaining access to longstanding photojournalistic archives at the periodical publishing houses of Al Ahram and Dar al Hilal in Cairo presented many obstacles. I address the generative role of erasure and obfuscation in the production of the photojournalistic image and its archive both in relation to this problematic of access encountered over the course of a research process undertaken in the summer of 2010, and the images of a nation encountered in those photographs dating to between c. 1919-1952, which I was ultimately able to examine.en
dc.description.sponsorshipResearch sponsored by the Samuel H. Kress Foundation, summer 2010. Conference supported by the Samuel H. Kress Foundation, the NYU Humanities Initiative, the IFA Visual Resources Collections, and Princeton University, Department of Art and Archaeology, Visual Resources Collection.en
dc.rightsCopyright Clare Phyllis Davies, 2011.en
dc.titleAll That's Fit: Nationalist Struggle and Early Photojournalism in Egypten
Appears in Collections:Photo Archives and the Photographic Memory of Art History, part III

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