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dc.contributor.authorWeltsek, Gustave-
dc.contributor.authorElfreich, Alycia-
dc.date.accessioned2025-04-30T17:26:22Z-
dc.date.available2025-04-30T17:26:22Z-
dc.date.issued2024-12-
dc.identifier.issn1552-5236-
dc.identifier.urihttp://hdl.handle.net/2451/75124-
dc.description.abstractWhat follows, is conceptual and theoretical and emerged through my ongoing conversations and collaborations with the co-author Dr. Aly Elfriech. This an extension of our work on how a Critical Performative Pedagogical (CPP) lens focused on the ways the emergence of the ‘self’ informed pedagogical positions in a graduate multicultural education foundations and general secondary methods of teaching course. In this piece I apply a CPP to my work with the Living Museum: The Empires Project, a five-year inquiry with a local STEM high school in the Midwest. Drawing from the work of Garion, Pineau, and Gaztembide-Fernandez, I imagine how a CPP lens may function as a conceptual and theoretical space for wonder into how and why I did what I did and struggle with the idea of just what do the arts do.en
dc.language.isoenen
dc.publisherNew York Universityen
dc.relation.ispartofseriesVolume 11 Issue 2;-
dc.rightsArtsPraxis is published by the NYU Steinhardt Program in Educational Theatre; author(s) retain copyright of the work though they have given irrevocable right to reproduce, transmit, distribute, make available through an archive, sell, and otherwise use the Accepted Contribution as it is published in the Journal.en
dc.subjectCritical Performative Pedagogyen
dc.titleTowards a Critical Performative Pedagogy: Living Museums – The Empires Projecten
dc.typeArticleen
dc.identifier.DOIhttps://doi.org/10.33682/gxr4-n91v-
Appears in Collections:ArtsPraxis Volume 11, Issue 2

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