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Title: 

Secondary students confront issues of identity through devising and performing a new play at the Edinburgh Festival Fringe

Authors: Baehr, Sonya
Keywords: youth theatre;Edinburgh Fringe
Issue Date: Nov-2016
Citation: Baehr, S. (2016). Secondary students confront issues of identity through devising and performing a new play at the Edinburgh Festival Fringe. Arts Praxis, 3, 87-99.
Abstract: In 2014, secondary students at the Poly Prep Country Day School began an eleven-month project with their acting teacher and a professional playwright that culminated in performances at the Edinburgh Festival Fringe in August of 2015. The goal was to premiere a new play created out of the concerns and challenges facing these young Americans as they wrestled with their national identity in an increasingly interconnected world. The students also dealt with issues of race, class, and sexual identity as they refined dialogue and characters in daily rehearsal sessions. The director’s process of building Americans in Breshkistan was modeled on that used by professional companies when they workshop a new piece with a playwright. The students created choreography and stage combat, as well as nonverbal movement sequences in which they worked together as an acrobatic team. The project united and engaged thirteen students of various races, classes, ethnicities, sexual orientations, and personality types. Students were responsible for creating and realizing the lighting and sound designs and for running the show. This project could serve as a model for schools to adopt into their regular curriculum, connecting high-level, student-created productions with performance possibilities at local professional theater venues.
URI: http://hdl.handle.net/2451/75239
ISSN: 1552-5236
Rights: ArtsPraxis is published by the NYU Steinhardt Program in Educational Theatre; author(s) retain copyright of the work though they have given irrevocable right to reproduce, transmit, distribute, make available through an archive, sell, and otherwise use the Accepted Contribution as it is published in the Journal.
Appears in Collections:ArtsPraxis Volume 3, Issue 1

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