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dc.contributor.authorHammoor, Clare-
dc.date.accessioned2025-09-03T16:22:48Z-
dc.date.available2025-09-03T16:22:48Z-
dc.date.issued2017-05-
dc.identifier.citationHammoor, C. (2017). Feeling blue: An investigative apparatus. ArtsPraxis, 4 (1), 94-107.en
dc.identifier.issn1552-5236-
dc.identifier.urihttp://hdl.handle.net/2451/75343-
dc.description.abstractThis auto-ethnographic inquiry explores found and constructed apparatuses in the production of a devised clown show with 3rd-6th grade children at Blue School in New York City. Through a playful negotiation between artifacts, theory, and memory, this essay works to untangle the production of meaning and the possibilities of children’s theatre. Drawing from Agamben’s theorizations of apparatus, Hammoor writes into knowing and understanding the frameworks he built and discovered in directing a sad clown show with children.en
dc.language.isoen_USen
dc.rightsArtsPraxis is published by the NYU Steinhardt Program in Educational Theatre; author(s) retain copyright of the work though they have given irrevocable right to reproduce, transmit, distribute, make available through an archive, sell, and otherwise use the Accepted Contribution as it is published in the Journal.en
dc.subjectyouth theatreen
dc.titleFeeling Blue: An investigative apparatusen
dc.typeArticleen
Appears in Collections:ArtsPraxis Volume 4, Issue 1

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