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dc.contributor.authorMonsanto, Tony
dc.date.accessioned2021-07-02T15:21:06Z-
dc.date.available2021-07-02T15:21:06Z-
dc.date.issued2001
dc.identifier.citationTony Monsanto, "Artist Statement / Cover for Volume 1, Number 1," Calabash: a Journal of Caribbean Arts and Letters 1, no. 2 (Spring-Summer 2001), https://doi.org/10.33682/d8gf-9579en
dc.identifier.issn1531-6661
dc.identifier.urihttp://hdl.handle.net/2451/62345-
dc.descriptionSection: Nonfictionen
dc.description.abstractTony Monsanto’s artist statement for “La combate de cohones y iguana.” The painting is from his 1994 series called “La decadencia europa” which was first shown as part of a show at the Museo de Arte Moderno, Santo Domingo of that same year. Monsanto’s installations and paintings speak to multiracial Caribbean ancestry and the intersections of Catholicism on African religions and realities in the Caribbean.en
dc.language.isoenen
dc.publisherNew York University. Graduate Program in Spanish & Portuguese Languages & Literaturesen
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dc.subjectNonfictionen
dc.subjectArtist statementen
dc.titleArtist Statementen
dc.title.alternativeCover for Volume 1, Number 1en
dc.typeArticleen
dc.identifier.DOIhttps://doi.org/10.33682/d8gf-9579
prism.issueIdentifier2en
prism.publicationNameCalabash: a Journal of Caribbean Arts and Lettersen
prism.volume1en
Appears in Collections:Volume 1, Number 2

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